Foliating of GLASS. See FOLIATING and LOOKING-glass.

GLASS of Lead, a glass made with the addition of a large quantity of lead, of great use in the art of making counterfeit gems. The method of making it is this: Put a large quantity of lead into a potter's kiln, and keep it in a state of fusion with a moderate fire, till it is calcined to a gray loose powder; then spread it in the kiln, and give it a greater heat, continually stirring it to keep it from running into lumps; continue this several hours, till the powder become of a fair yellow; then take it out, and sift it fine: this is called calcined lead. Take of this calcined lead 45 pounds, and crystalline or other frit 12 pounds; mix these as well as possible together; put them into a pot, and set them in the furnace for ten hours; then cast the whole, which will be now perfectly melted, into water; separate the loose lead from it, and return the metal into the pot; and after standing in fusion 12 hours more, it will be fit to work. It is very tender and brittle, and must be worked with great care, taking it slowly out of the pot, and continually wetting the marble it is wrought upon.

It is well known that ceruse or white lead, minium, litharge, and all the other preparations and calces of lead, are easily fused by a moderate fire, and formed into a transparent glass of a deep yellow colour. But this glass is so penetrating and powerful a flux, that it is necessary to give it a greater consistence, in order to render it fit for use. With this view, two parts of calx of lead, e. g. minium, and one part of sand or powdered flints, may be put into a crucible of refractory clay, and baked into a compact body. Let this crucible, well closed with a luted lid, be placed in a melting furnace, and gradually heated for an hour, or an hour and a half; and afterwards let the heat be increased so as to obtain a complete fusion, and continued in that state for the same time: let the crucible remain to cool in the furnace; and when it is broken a very transparent yellow coloured glass will be found in it. Some add nitre and common salt to the above mixture, because these salts promote the fusion and the more equal distribution of the sand. This glass of lead has a considerable specific gravity, and its lowest part is always the heaviest. It is an important flux in the assays of ores to facilitate their scorification.

Glass of lead is capable of all the colours of the gems in very great perfection. The methods of giving them are these: for green, take pulverine frit 20 pounds, lead calcined 16 pounds; sift both the powders very fine; then melt them into a glass, separating the unmixed lead, by plunging the mass in water; after this return it into the pot, and add brass thrice calcined six ounces, and one pennyweight of crocus martis made with vinegar; put this in at six different times, always carefully mixing it together, and take a proof of it; when the colour is right, let it stand eight hours, and then work it. If instead of the calcined brass the same quantity of the caput mortuum of the vitriolum veneris be used, the green is yet much finer.

For topaz colour, take crystal frit 15 pounds, calcined lead 12 pounds; mix them well together, by sifting the powders through a fine sieve; then set them in a furnace not too hot, and separate the superfluous

unmixed lead, by casting the whole into water; repeat this twice: then add half gold yellow glass, and let them incorporate and purify, and they will be of the true and exact colour of the oriental topazes.

For sea green, take crystal frit 16 pounds, calcined lead 10 pounds; mix and sift them together, and set them in a pot in a furnace; in 12 hours the whole will be melted; then cast it into water, and separate it from the loose lead; put them into the furnace again for eight hours; then separate the loose lead by washing a second time, and return it to the pot for eight hours more.

Muscovy GLASS. See MICA, MINERALOGY Index.

Painting on GLASS by means of Prints. See BACK-painting.