DRAGON, in Zoology. See DRACO.

DRAGON'S BLOOD, a gummi-resinous substance brought from the East Indies, either in oval drops wrapped up in flag leaves, or in large masses composed of smaller tears. It is said to be obtained from the palmijuncus draco, the calamus rotang, the dracena draco, the pterocarpus draco, and several other vegetables.

The writers on the materia medica in general give the preference to the former, though the others are not unfrequently of equal goodness. The fine dragon's blood of either sort breaks smooth, free from any visible impurities, of a dark red colour, which changes upon being powdered into an elegant bright crimson. Several artificial compositions, coloured with the true dragon's blood, or Brazil wood, are sometimes sold in the room of this commodity. Some of these dissolve like gums in water; others crackle in the fire without proving inflammable; whilst the genuine sanguis draconis readily melts and catches flame, and is not acted on by watery liquors. It totally dissolves in pure spirit, and tinges a large quantity of the menstruum of a deep red colour. It is likewise soluble in expressed oils, and gives them a red hue, less beautiful than that communicated by anachuia. This drug in substance has no sensible smell or taste; when dissolved, it discovers some degree of warmth and pungency. It is usually, but without foundation, looked upon as a gentle astringent; and sometimes directed as such in extemporaneous prescription against seminal gleets, the floor albus, and other fluxes. In these cases, it is supposed to produce the general effects of resinous bodies, lightly incrusting the fluids and somewhat strengthening the solids. But in the present practice it is very little used either externally or internally.

A solution of dragon's blood in spirit of wine is used for staining marble, to which it gives a red tinge, which penetrates more or less deeply according to the heat of the marble during the time of application. But as it spreads at the same time that it sinks deep, for fine designs the marble should be cold. Mr Du Fay says, that by adding pitch to this solution the colour may be rendered deeper.