ETRUSCAN VASES.

PLATE CCXL.

ULYSSES APUD CIRCEN POTUS.

BELLONA ETRUSCORUM.

A large Etruscan vase with a wide rim and two handles, featuring a relief of a seated female figure.

A large, dark-toned Etruscan vase with a wide, flared rim and two small handles. The central relief depicts a seated female figure, possibly a goddess, holding a small object in her right hand. The vase has a flared foot.

A large Etruscan vase with a wide rim and two handles, featuring a relief of a standing female figure.

A large, dark-toned Etruscan vase with a wide rim and two small handles. The central relief depicts a standing female figure, possibly a goddess, holding a small object in her right hand. The vase has a flared foot.

DRACO, LEAENA, ALIAQUE
MONSTRA ETRUSCORUM.

A large Etruscan vase with a wide rim and two handles, featuring a relief of several figures in a dynamic scene.

A large, dark-toned Etruscan vase with a wide rim and two small handles. The central relief depicts a dynamic scene with several figures, including a central figure holding a tall object and another figure to the right holding a staff. The vase has a flared foot.

MUSICA ET POESIS ETRUSCORUM.

SACRA CEREALIA ET LENAEA.

A medium-sized Etruscan vase with a wide rim and two handles, featuring a relief of two figures.

A medium-sized, dark-toned Etruscan vase with a wide rim and two small handles. The central relief depicts two figures, one holding a long object, possibly a staff or a branch. The vase has a flared foot.

A medium-sized Etruscan vase with a wide rim and two handles, featuring a relief of several figures.

A medium-sized, dark-toned Etruscan vase with a wide rim and two small handles. The central relief depicts several figures, including two prominent figures in the foreground and others in the background. The vase has a flared foot.

A page with five faint, sepia-toned illustrations of ancient pottery vessels, including a large vase, a bowl, a cup, and two smaller vessels.

The page contains five faint, sepia-toned illustrations of ancient pottery vessels, likely from a historical or archaeological catalog. The vessels are arranged as follows: a large, wide-mouthed vase in the upper left; a smaller, rounded vessel in the upper right; a central bowl or cup with a flared rim; a small cup or bowl in the lower left; and a small, slender vessel with a handle in the lower right. The illustrations are rendered in a light, monochromatic style, showing the basic shapes and some surface details of the vessels. The background is a light, aged paper color with some minor staining.

VASES FROM THE MUSEUM OF THE ROYAL ANTIQUARIAN SOCIETY OF LONDON.

VASE OF HEMETAEUS VASES.

A large Etruscan vase with two handles and a wide rim, decorated with a relief of a seated figure.

A large, bulbous Etruscan vase with two handles and a wide rim. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose.

A tall, slender Etruscan vase with two handles and a wide rim, decorated with a relief of a seated figure.

A tall, slender Etruscan vase with two handles and a wide rim. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose.

HETRAEUS.

A large Etruscan vase with a wide rim and a single handle, decorated with a relief of a seated figure.

A large Etruscan vase with a wide rim and a single handle. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose.

ACHILLEUS VASE.

A small, slender Etruscan vase with a wide rim and a single handle. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose.

A small, slender Etruscan vase with a wide rim and a single handle, decorated with a relief of a seated figure.

A small, slender Etruscan vase with a wide rim and a single handle. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose.

A large, bulbous Etruscan vase with two handles and a wide rim, decorated with a relief of a seated figure.

A large, bulbous Etruscan vase with two handles and a wide rim. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose.

A small, slender Etruscan vase with a wide rim and a single handle. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose.

A small, shallow Etruscan vessel with a wide rim and a single handle, decorated with a relief of a seated figure.

A small, shallow Etruscan vessel with a wide rim and a single handle. The vessel is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose.

A blank, aged page with significant water damage and staining.

This image shows a single, blank page of aged paper. The paper is off-white or light beige, showing signs of significant water damage and staining. There are numerous irregular, brownish-yellow spots and larger areas of discoloration scattered across the surface, particularly concentrated in the lower half and along the left edge. The texture of the paper appears slightly rough or fibrous. The overall appearance is that of an old, weathered document page.

JOVIS FESTUM ET SACRUM.

VENERIS ET HYMENAEI SACRUM.

HYMENAEUS.

A large Etruscan vase with two handles, decorated with a relief of a wedding scene (Hymenaei Sacrum).

A large, bulbous Etruscan vase with two handles. The body is decorated with a relief depicting a wedding scene, with figures in a room and a central altar.

A tall, slender Etruscan vase with two handles, decorated with a relief of a wedding scene (Hymenaei Sacrum).

A tall, slender Etruscan vase with two handles. The body is decorated with a relief depicting a wedding scene, with figures in a room and a central altar.

A large Etruscan vase with two handles, decorated with a relief of a wedding scene (Hymenaeus).

A large, bulbous Etruscan vase with two handles. The body is decorated with a relief depicting a wedding scene, with figures in a room and a central altar.

ACHILLIS FATA.

A collection of Etruscan vessels, including vases and a bowl, displayed on a decorative stand.

A collection of Etruscan vessels displayed on a decorative stand. The vessels include:

On the left: a tall, slender vase with a narrow neck and a small handle, and a shallow, wide-mouthed bowl with two handles.
In the center: a large, bulbous vase with two handles, decorated with a relief of a wedding scene (Achillis Fata).
On the right: a tall, slender vase with a narrow neck and a small handle, and a shallow, wide-mouthed bowl with two handles.

The stand is decorated with a wavy pattern and has four legs.

This image shows a single, blank page of aged paper. The paper has a light beige or cream color, showing signs of significant water damage and staining. There are large, irregular brown stains, particularly on the left side and in the center, which appear to be water damage or mold. The texture of the paper is visible, and there are some smaller, darker spots scattered across the surface. The right edge of the page is slightly darker, possibly due to the binding or the edge of the paper itself.

(See Mus. Catal.)

A composite plate of Etruscan antiquities featuring a frieze of warriors, two arched doorways, a reclining female figure, and a frieze of figures.

This plate contains several detailed line drawings of Etruscan archaeological finds. At the top is a frieze depicting a row of seven male warriors in dynamic poses, some holding shields and others with raised arms. Below this frieze are two arched doorways, one on the left and one on the right, both showing stone masonry. In the center is a large, reclining female figure, possibly a personification of a city or a deity, resting on a high, tiered base. At the bottom is a frieze with multiple panels, each containing a group of figures in various poses, some holding shields or other objects. The entire plate is framed by a decorative border at the top and bottom.

A blank, aged, cream-colored page with numerous brown stains and discolorations, likely a flyleaf or endpaper.

This image shows a single, blank page of aged paper. The paper has a warm, cream-colored tone and a slightly textured surface. It is covered with numerous small, irregular brown spots and larger, fainter stains, which are characteristic of foxing or water damage over time. The page is set against a dark, solid background, which makes the lighter color of the paper stand out. There is no text, handwriting, or printed content on the page.

(See Micali, Italia.)

A frieze depicting a sequence of Etruscan warriors in combat. The frieze is framed by a decorative border at the top with repeating floral motifs and a floral garland at the bottom. The scene shows several figures in various stages of battle: one on the left holds a shield and a spear; another in the center holds a circular shield; and others are engaged in combat with swords and shields. The figures are depicted in dynamic, running poses.

A detailed architectural drawing of a stone archway, showing the construction of the arch and the surrounding masonry.

A detailed architectural drawing of a stone archway, similar to the one on the left but with more decorative elements, including a small sphere or finial on top of the arch.

A large, detailed drawing of a reclining female figure, likely a personification of a city or a deity, resting on a decorative base. She is wearing a long, flowing robe and has her head turned slightly to the side.

A small rectangular panel showing a standing female figure with wings, possibly a personification of a city or a deity, holding a shield and a spear.

A large rectangular panel depicting a complex scene with multiple figures. It includes a central figure on a horse, several standing figures, and a fallen figure at the bottom. The scene is framed by a decorative border.

A small rectangular panel showing a standing female figure with wings, similar to the one on the left, holding a shield and a spear.

A blank, aged, cream-colored page with numerous brown spots and stains, showing signs of water damage or foxing.

This image shows a single, blank page of aged paper. The paper has a warm, cream-colored tone and a slightly textured surface. It is covered with numerous small, irregular brown spots and stains, which are characteristic of foxing or water damage over time. These spots are more concentrated along the top edge and are scattered across the rest of the page. There is no text, handwriting, or printed content on the page. The right edge of the page shows a slight vertical line, possibly indicating the binding or the edge of the paper itself.

A blank, aged, cream-colored page, likely an endpaper or flyleaf of a book. The page shows signs of wear, including numerous small brown spots (foxing) and faint smudges. The left edge indicates the binding area.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance and is covered with numerous small, irregular brown spots, known as foxing, which are characteristic of old paper. There are also some faint, larger smudges and discolorations, particularly towards the edges. The left edge of the page shows the binding area, where the paper is slightly folded or creased. The overall appearance is that of a well-preserved but aged piece of paper.

This image shows a single, blank page of aged paper. The paper has a warm, cream-colored tone and a slightly textured appearance. It is covered with numerous small, irregular brown spots, which are characteristic of foxing, a form of mold damage. There are also some faint, larger stains and discolorations, particularly towards the edges and in the center. The page appears to be an endpaper or flyleaf from an old book, as it lacks any printed or written content.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance and is marked by numerous small, brownish spots, known as foxing, which are scattered across the surface. A faint, rectangular border is visible near the edges of the page, possibly indicating where it was once part of a larger sheet or a binding. The overall tone is warm and yellowish, characteristic of old paper.

EUROPE.

English Miles.

A detailed historical map of Europe showing the British Isles, the European continent, and surrounding seas. The map includes a grid of latitude and longitude lines, with longitude marked as 'Longitude East 15 from Greenwich' at the bottom right. Major cities like London, Paris, Vienna, and Lisbon are labeled, along with numerous smaller towns and geographical features like the English Channel, Bay of Biscay, and Mediterranean Sea. The title 'EUROPE.' is in a large box at the top left.

10 5 0 5 10 Longitude East 15 from Greenwich

A detailed historical map of Russia and surrounding regions, showing the extensive network of rivers, cities, and administrative divisions. The map includes the Black Sea, Caspian Sea, and Baltic Sea, with labels for Constantinople, Smyrna, and Aleppo. A coordinate grid is overlaid on the map.

This is a detailed historical map of Russia and its surrounding regions, likely from the 19th century. The map features a dense network of rivers, numerous cities, and administrative boundaries. Key geographical features include the Black Sea (labeled 'BLACK SEA'), the Caspian Sea (labeled 'CASPIAN SEA'), and the Baltic Sea (labeled 'BALTIC SEA'). Major cities such as St. Petersburg, Moscow, and Constantinople are visible. The map is overlaid with a coordinate grid, with longitude lines marked from 25 to 80 and latitude lines from 40 to 80. The map is framed by a border with a scale in miles and kilometers. The title 'PLATE 100' is visible in the top right corner. The map is signed 'Engaged by S. Hall, Bury St. Edmunds' in the bottom right corner.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance and is covered with numerous small, brownish spots known as foxing, which are more concentrated along the top edge and right side. There are also larger, irregular stains, particularly a prominent one near the top center. The right edge of the page shows the binding structure, with a vertical line indicating the gutter and a small, dark mark near the top. The overall appearance is that of a well-preserved but aged piece of paper.

Plate CCXLIV showing various geometric diagrams related to the figure of the Earth, including projections, cross-sections, and spherical geometry.

This plate contains a collection of geometric diagrams illustrating the figure of the Earth. The diagrams are labeled as follows:

Fig. 1: A large, complex geometric construction at the top left, featuring multiple intersecting lines and points labeled with letters.
Fig. 2: A geometric diagram in the top center, showing a circle with internal lines and points labeled.
Fig. 3: A geometric diagram in the top right, showing a circle with internal lines and points labeled.
Fig. 4: A geometric diagram in the middle left, showing a circle with internal lines and points labeled.
Fig. 5: A geometric diagram in the middle right, showing a circle with internal lines and points labeled.
Fig. 6: A geometric diagram in the bottom left, showing a circle with internal lines and points labeled.
Fig. 7: A geometric diagram in the bottom center-left, showing a circle with internal lines and points labeled.
Fig. 8: A geometric diagram in the bottom center, showing a circle with internal lines and points labeled.
Fig. 9: A geometric diagram in the bottom right, showing a circle with internal lines and points labeled.

The diagrams are drawn in pencil or light ink on aged paper, showing some staining and wear. The labels are written in a cursive script.

A blank, aged, cream-colored page with faint, repeating geometric patterns and significant water damage.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper is heavily stained with large, irregular brown and tan patches, particularly concentrated in the upper half and along the right edge, suggesting water damage or foxing. Faint, repeating geometric patterns are visible across the surface, consisting of thin lines that form circles and triangles, possibly from a previous page or a watermark. The overall texture appears slightly rough and discolored due to age.

Fig. 1.

Fig. 2.

Fig. 3.

Fig. 4.

Fig. 5.

Fig. 6.

Fig. 7: A geometric diagram showing a circle with points A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. Lines connect these points, forming a complex polygonal structure.

Fig. 8.

Fig. 9.

Fig. 10.

Fig. 11.

Fig. 12.

Fig. 13.

Fig. 14.

Fig. 15.

A blank, aged page with a light beige background, showing numerous brown stains and faint, illegible markings.

This image shows a blank, aged page with a light beige background. The surface is covered with numerous brown stains and faint, illegible markings, suggesting water damage or aging. There are no discernible figures, text, or other content on the page.

FILTER.

PLATE CCXIX.

Fig. 1.

Fig. 2.

Fig. 3.

Fig. 4.

Fig. 5.

Fig. 10.

Fig. 11.

Fig. 9.

Fig. 8.

Fig. 6.

Fig. 7.

Fig. 12.

Fig. 13.

Fig. 14.

Fig. 15.

A faded, sepia-toned illustration of a classical architectural scene, possibly a garden or courtyard. The scene features a central urn or vase on a pedestal, a small structure or fountain in the background, and a decorative archway or gate on the right. The image is heavily stained and discolored, suggesting age and water damage.

This is a faded, sepia-toned illustration, likely a watercolor or ink drawing, depicting a classical architectural or garden scene. The image is heavily stained with large, irregular brown patches, particularly in the upper half, suggesting age and water damage. The scene includes a central, large, fluted urn or vase resting on a tiered pedestal. To the right, there is a small, ornate structure, possibly a fountain or a decorative gate, featuring a domed top and a base with curved elements. In the background, there are faint outlines of other architectural elements, including what might be a small building or a fountain. The overall composition is soft and atmospheric, with a focus on the central urn and the surrounding architectural details.

FILTER.

PLATE CCXIV.

Fig. 1.

Fig. 2.

Fig. 1.

Fig. 4.

Fig. 5.

Fig. 10.

Fig. 11.

Fig. 3.

Fig. 9.

Fig. 8.

Fig. 6.

Fig. 12.

Fig. 14.

Fig. 13.

Fig. 15.

This image shows a single, blank page of aged paper. The paper has a warm, yellowish-beige tone, characteristic of old documents. It is heavily marked by numerous brown and tan stains, likely from water damage or age-related discoloration. These stains are most prominent in the upper half of the page, appearing as irregular blotches and smaller spots scattered across the surface. The texture of the paper appears slightly rough or fibrous. There is no text, handwriting, or printed content on the page.

FERRARY'S FIRST SYSTEM.

A B - 200 Yds.
C D - 200
A E - 100 Yds.

Scale bar for Fig. 1 showing distances from 0 to 600 Yards.

FERRARY'S SECOND SYSTEM.

Fig. 2.

A B - 200 Yds.
C D - 200
A E - 100
F G - 100
H I - 90

FORMONTAIGN'S SYSTEM.

A B - 200 Yds.
C D - 200
A E - 100
F G - 100
G H - 120
H I - 90

Scale bar for Fig. 3 showing distances from 0 to 600 Yards.

Gatineau

Fort St. Louis

SOURCES OF FERRARY'S FIRST SYSTEM

Fig. 4

Gatineau

Remains of the
Ditch of the Fort

Eng. by H. Salmon, 1841

A blank, aged, cream-colored page with significant water damage and staining.

This image shows a single, blank page of aged paper. The paper has a warm, cream-colored tone and is heavily marked by water damage. Large, irregular brown stains are scattered across the surface, with some areas showing more intense discoloration. Faint, circular patterns are visible, possibly from a previous stamp or a watermark. The texture of the paper appears slightly rough and uneven due to the aging process. There is no text or other markings on the page.

VAUBAN'S FIRST SYSTEM.

Fig. 1.

$AB = 360$ Yards.
$CD = 360$
$AE = \frac{2}{3}$ of $AB$

0 20 40 60 120 180 240 300 360 Yards

VAUBAN'S SECOND SYSTEM.

Fig. 2.

$AB = 240$ Yards.
$AD = 79$
$EF = \frac{1}{2} AB$
$gh = 90$

0 20 40 60 120 180 240 300 360 Yards

CORMONTAIGNE'S SYSTEM.

Fig. 3.

$AB = 360$ Yds
$CD = \frac{1}{2} AB$
$AE = \frac{1}{2} AB$
$FB = 3$
$GH = 120$
$HK = 90$

0 20 40 60 120 180 240 300 360 Yards

Fig. 4.
PROFILES OF VAUBAN'S FIRST SYSTEM.

Glacis
Counter-scarp
Ditch
Ravellin
Moir Ditch
Tenaille
Rampart of the Body of the Place

Fig. 4 by G. Ashman, 1842.

This image shows a single, blank page of aged paper. The paper has a warm, yellowish-beige tone, characteristic of old documents. It is heavily marked by water damage, including a large, irregular, light-brown stain in the upper-middle section and numerous smaller, dark brown spots and smudges scattered across the surface. The texture of the paper appears slightly grainy. There is no text, handwriting, or printed content on the page.

Fig. 1.
COEHORN'S SYSTEM.

Fig. 2.
MODERN SYSTEM.

A B = 360 Yards.
C D = $\frac{A B}{6}$
A E = $\frac{A B}{5}$
F B = $\frac{A B}{5}$
g h = g k h k

OUTWORKS

Fig. 3.

A blank, aged page with a light beige background, showing significant water damage and staining, particularly a large brown stain in the upper center and smaller spots along the left edge.

This image shows a blank, aged page with a light beige background. The paper is heavily stained with numerous brown spots and larger, irregular stains, particularly a prominent one in the upper center and smaller ones along the left edge. The texture of the paper appears slightly rough and uneven due to the aging process. There is no text or other markings on the page.

PLAN OF ATTACK OF THE CITADEL OF ANVERPHEMONT AND THE BASTIONS.

1. Ponts de	2. Ales	3. Port de l'Enfer
3. Pont de	4. Houtenbos	4a. Pont de l'Enfer (Garnier)
5. Pont de	5. Pont de l'Enfer	5. Pont de l'Enfer (Pons)
6. Docks	6. Pont de l'Enfer (Pons)	6. Docks
		7. Pont de l'Enfer (Pons)
		8. Pont de l'Enfer (Pons)

A detailed historical map of the Citadel of Antwerp and its bastions, showing the layout of the fortifications, the surrounding city streets, and the adjacent water bodies. The map is annotated with numbers 1-8 and letters A-H, corresponding to the legend. Key features include the 'CITADEL' in the center, 'BASTIONS' around it, and various 'PONTS' (bridges) and 'Docks'. The 'ESPLANADE' is visible at the top right, and the 'R. E. P. R.' (Rivier de de Ruyter) is on the left. The map also shows the 'Port de l'Enfer' and 'Port de l'Enfer (Garnier)'.

A blank, aged, cream-colored page with visible water stains and discoloration.

This image shows a single, blank page of aged paper. The paper has a warm, cream-colored tone and a slightly textured surface. It is covered with numerous small, irregular brown spots and larger, fainter stains, which are characteristic of water damage or foxing over time. The stains are most prominent in the upper half and center of the page. The right edge of the page shows a slight shadow, suggesting it is part of a bound volume. There is no text, handwriting, or printed content on the page.

ETRUSCANVASES

EUROPE.