ETRUSCANVASES

ETRUSCAN VASES. PLATE CCXL. ULYSSES APUD CIRCEN POTUS. BELLONA ETRUSCORUM. A large, dark-toned Etruscan vase with a wide, flared rim and two small handles. The central relief depicts a seated female figure, possibly a goddess, holding a small object in her right hand. The vase has a flared foot. A large, dark-toned Etruscan vase with a wide rim and two small handles. The central relief depicts a standing female figure, possibly a goddess, holding a small object in her right hand. The vase has a flared foot. DRACO, LEAENA, ALIAQUEMONSTRA ETRUSCORUM. A large, dark-toned Etruscan vase with a wide rim and two small handles. The central relief depicts a dynamic scene with several figures, including a central figure holding a tall object and another figure to the right holding a staff. The vase has a flared foot. MUSICA ET POESIS ETRUSCORUM. SACRA CEREALIA ET LENAEA. A medium-sized, dark-toned Etruscan vase with a wide rim and two small handles. The central relief depicts two figures, one holding a long object, possibly a staff or a branch. The vase has a flared foot. A medium-sized, dark-toned Etruscan vase with a wide rim and two small handles. The central relief depicts several figures, including two prominent figures in the foreground and others in the background. The vase has a flared foot. The page contains five faint, sepia-toned illustrations of ancient pottery vessels, likely from a historical or archaeological catalog. The vessels are arranged as follows: a large, wide-mouthed vase in the upper left; a smaller, rounded vessel in the upper right; a central bowl or cup with a flared rim; a small cup or bowl in the lower left; and a small, slender vessel with a handle in the lower right. The illustrations are rendered in a light, monochromatic style, showing the basic shapes and some surface details of the vessels. The background is a light, aged paper color with some minor staining. VASES FROM THE MUSEUM OF THE ROYAL ANTIQUARIAN SOCIETY OF LONDON. VASE OF HEMETAEUS VASES. A large, bulbous Etruscan vase with two handles and a wide rim. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose. A tall, slender Etruscan vase with two handles and a wide rim. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose. HETRAEUS. A large Etruscan vase with a wide rim and a single handle. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose. ACHILLEUS VASE. A small, slender Etruscan vase with a wide rim and a single handle. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose. A small, slender Etruscan vase with a wide rim and a single handle. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose. A large, bulbous Etruscan vase with two handles and a wide rim. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose. A small, slender Etruscan vase with a wide rim and a single handle. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose. A small, slender Etruscan vase with a wide rim and a single handle. The vase is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose. A small, shallow Etruscan vessel with a wide rim and a single handle. The vessel is decorated with a relief of a seated figure, possibly a deity or a person of high status, in a formal pose. JOVIS FESTUM ET SACRUM. VENERIS ET HYMENAEI SACRUM. HYMENAEUS. A large, bulbous Etruscan vase with two handles. The body is decorated with a relief depicting a wedding scene, with figures in a room and a central altar. A tall, slender Etruscan vase with two handles. The body is decorated with a relief depicting a wedding scene, with figures in a room and a central altar. A large, bulbous Etruscan vase with two handles. The body is decorated with a relief depicting a wedding scene, with figures in a room and a central altar. ACHILLIS FATA. A collection of Etruscan vessels displayed on a decorative stand. The vessels include: On the left: a tall, slender vase with a narrow neck and a small handle, and a shallow, wide-mouthed bowl with two handles. In the center: a large, bulbous vase with two handles, decorated with a relief of a wedding scene (Achillis Fata). On the right: a tall, slender vase with a narrow neck and a small handle, and a shallow, wide-mouthed bowl with two handles. The stand is decorated with a wavy pattern and has four legs. The map is signed 'Engaged by S. Hall, Bury St. Edmunds' in the bottom right corner. Fig. 1. Fig. 2. Fig. 3. Fig. 4. Fig. 5. Fig. 6. Fig. 8. Fig. 9. Fig. 10. Fig. 11. Fig. 12. Fig. 13. Fig. 14. Fig. 15. Fig. 1. Fig. 2. Fig. 3. Fig. 4. Fig. 5. Fig. 10. Fig. 11. Fig. 9. Fig. 8. Fig. 6. Fig. 7. Fig. 12. Fig. 13. Fig. 14. Fig. 15. This is a faded, sepia-toned illustration, likely a watercolor or ink drawing, depicting a classical architectural or garden scene. The image is heavily stained with large, irregular brown patches, particularly in the upper half, suggesting age and water damage. The scene includes a central, large, fluted urn or vase resting on a tiered pedestal. To the right, there is a small, ornate structure, possibly a fountain or a decorative gate, featuring a domed top and a base with curved elements. In the background, there are faint outlines of other architectural elements, including what might be a small building or a fountain. The overall composition is soft and atmospheric, with a focus on the central urn and the surrounding architectural details. FILTER. PLATE CCXIV. Fig. 1. Fig. 2. Fig. 1. Fig. 4. Fig. 5. Fig. 10. Fig. 11. Fig. 3. Fig. 9. Fig. 8. Fig. 6. Fig. 12. Fig. 14. Fig. 13. Fig. 15. FERRARY'S FIRST SYSTEM. A B - 200 Yds.C D - 200A E - 100 Yds. FERRARY'S SECOND SYSTEM. Fig. 2. A B - 200 Yds.C D - 200A E - 100F G - 100H I - 90 FORMONTAIGN'S SYSTEM. A B - 200 Yds.C D - 200A E - 100F G - 100G H - 120H I - 90 Gatineau Fort St. Louis SOURCES OF FERRARY'S FIRST SYSTEM Fig. 4 Gatineau Gatineau Remains of theDitch of the Fort Eng. by H. Salmon, 1841 VAUBAN'S FIRST SYSTEM. Fig. 1. AB = 360 Yards. CD = 360 AE = \frac{2}{3} of AB 0 20 40 60 120 180 240 300 360 Yards VAUBAN'S SECOND SYSTEM. Fig. 2. AB = 240 Yards. AD = 79 EF = \frac{1}{2} AB gh = 90 0 20 40 60 120 180 240 300 360 Yards CORMONTAIGNE'S SYSTEM. Fig. 3. AB = 360 Yds CD = \frac{1}{2} AB AE = \frac{1}{2} AB FB = 3 GH = 120 HK = 90 0 20 40 60 120 180 240 300 360 Yards Fig. 4.PROFILES OF VAUBAN'S FIRST SYSTEM. Glacis Counter-scarp Ditch Ravellin Moir Ditch Tenaille Rampart of the Body of the Place Fig. 4 by G. Ashman, 1842. Fig. 1.COEHORN'S SYSTEM. Fig. 2.MODERN SYSTEM. A B = 360 Yards. C D = \frac{A B}{6} A E = \frac{A B}{5} F B = \frac{A B}{5} g h = g k h k OUTWORKS Fig. 3. PLAN OF ATTACK OF THE CITADEL OF ANVERPHEMONT AND THE BASTIONS. 1. Ponts de 2. Ales 3. Port de l'Enfer 3. Pont de 4. Houtenbos 4a. Pont de l'Enfer (Garnier) 5. Pont de 5. Pont de l'Enfer 5. Pont de l'Enfer (Pons) 6. Docks 6. Pont de l'Enfer (Pons) 6. Docks 7. Pont de l'Enfer (Pons) 8. Pont de l'Enfer (Pons)