in natural history, the name of an earth, famous in the earliest ages of painting, being the only white of the great painters of antiquity; and, according to Pliny's account, one of the three colours with which alone they performed all their works. It is a fine, white, marly earth, of a very compact texture, yet remarkably light; a sort of texture which must render any earth fit for the painter's use, that is of a proper colour. It is frequently found forming a stratum in the earth, lying immediately under the vegetable mould. It is of a very smooth, but not glossy surface, is very soft to the touch, adheres firmly to the tongue, is easily broken between the fingers, and stains the skin in handling. It melts readily in the mouth, and is perfectly fine, leaving not the least grittiness between the teeth. Thrown into water, it makes a great bubbling and loud hissing noise, and moulders away into a fine powder. It does not ferment with acids, and suffers no change in the fire. These are the characters by which the melinum of the ancients is distinguished from all the other white earths. It is still found in the same place from whence the painters of old had it; which is that from whence it has its name, the island of Milo, called Milos by the Greeks, and is common in most of the adjacent islands. It has been of late tried here as a paint, and is found not to make so bright a white as the other substances now in use among the painters; but seems not liable, like them, to turn yellow; and if so, would be worth the consideration of persons in the colour-trade, especially as it may be had in any quantities for carriage.