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MEEREN

Volume 13 · 331 words · 1815 Edition

or MEER, JOHN VANDER, called the Old, an esteemed painter, was born in 1627. He chose for his subjects sea-pieces, landscapes, and views of the sea and its shores; which he painted with great truth, as he had accustomed himself to sketch every scene after nature. The situations of his landscapes are agreeably chosen, frequently they are solemn, and generally pleasing. The forms of his trees are easy and natural, his distances well observed, and the whole scenery has a striking effect, by a happy opposition of his lights and shadows. He also painted battles in an agreeable style, as they showed good composition, were touched with spirit, and had a great deal of transparency in the colouring. He died in 1690.

or MEER, John Vander, called De Jonghe, an eminent landscape painter, is supposed to have been the son of the old John Vander Meer, and of whom he learned the first rudiments of the art; but being in his youth deprived of his instructor before he had made any great progress, he became a disciple of Nicholas Berghem, and was accounted the best of those who were educated in the school of that admired master. In the manner of his matter, he painted landscapes and cattle; and his usual subjects are cottages, with peasants at their rural occupations and diversions. It is observed of him, that he very rarely introduced cows, horses, or any other species of animals, except goats and sheep; the latter of which are so highly finished, that one would imagine the wool might be felt by the softness of its appearance. His touch is scarce perceptible, and yet the colours are admirably united. He died in 1688. The genuine works of this Vander Meer bear a very high price, and are esteemed even in Italy, where they are admitted into the best collections; but the scarcity of them has occasioned many moderate copies after his works to be passed on the undiscriminating for real originals.