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QUARANTINE

Volume 17 · 718 words · 1815 Edition

is a trial which ships must undergo when suspected of a pestilential infection. It may be ordered by the king, with advice of the privy-council, at such times, and under such regulations, as he judges proper. Ships ordered on quarantine must repair to the place appointed, and must continue there during the time prefabricated (generally six weeks); and must have no intercourse with the shore, except for necessary provisions, which are conveyed with every possible precaution. When the time is expired, and the goods opened and exposed to the air as directed, if there be no appearance of infection, they are admitted to port.

Ships infected with the pestilence must proceed to St Helen's Pool, in the Scilly islands, and give notice of their situation to the customhouse officers, and wait till the king's pleasure be known.

Persons giving false information to avoid performing quarantine, or refusing to go to the place appointed, or escaping, also officers appointed to see quarantine performed, deferring their office, neglecting their duty, or giving a false certificate, suffer death as felons.

Goods from Turkey, or the Levant, may not be landed without license from the king, or certificate that they have been landed and aired at some foreign port. See Plague.

Quarles, Francis, the son of James Quarles clerk to the board of green cloth, and purveyor to Queen Elizabeth, was born in 1592. He was educated at Cambridge; became a member of Lincoln's Inn; and was for some time cup-bearer to the queen of Bohemia, and chronologer to the city of London. It was probably on the ruin of her affairs that he went to Ireland as secretary to Archbishop Usher; but the troubles in that kingdom forcing him to return, and not finding affairs more at peace in England, some disquiets he met with were thought to have hastened his death, which happened in 1644. His works both in prose and verse are numerous, and were formerly in great esteem, particularly his Divine Emblems: but the obsolete quaintness of his style has caused them to fall into neglect, excepting among particular classes of readers.

"The memory of Quarles, says a late author, has been Headley's branded with more than common abuse, and he seems to select Beauties of Ancient English Poetry, if his poetry failed to gain him friends and readers, his life poetry, piety should at least have secured him peace and goodwill. He too often, no doubt, mistook the enthusiasm of devotion for the inspiration of fancy: to mix the waters of Jordan and Helicon in the same cup, was reserved for the hand of Milton; and for him, and him only, to find the bays of Mount Olivet equally verdant with those of Parnassus. Yet, as the effusions of a real poetical mind, however thwarted by untowardness of subject, will be seldom rendered totally abortive, we find in Quarles original imagery, striking sentiment, fertility of expression, and happy combinations; together with a compression of style that merits the observation of the writers of verse. Grofs deficiencies of judgment, and the infelicity of his subjects, concurred in ruining him. Perhaps no circumstance whatever can give a more complete idea of Quarles's degradation than a late edition of his Emblems; the following passage is extracted from the preface: 'Mr Francis Quarles, the author of the Emblems that go under his name, was a man of the most exemplary piety; and had a deep insight into the mysteries of our holy religion. But, for all that, the book itself is written in so old a language, that many parts of it are scarcely intelligible in the present age; many of his phrases are so affected, that no person who has any taste for reading can peruse them with the least degree of pleasure; many of his expressions are harsh, and sometimes whole lines are included in a parenthesis, by which the mind of the reader is diverted from the principal object. His Latin mottoes under each cut can be of no service to an ordinary reader, because he cannot understand them. In order, therefore, to accommodate the public with an edition of Quarles's Emblems properly modernised, this work was undertaken.' Such an exhibition of Quarles is chaining Columbus to an ear, or making John Duke of Marlborough a train-band corporal."