ARCHITECTURE.

PLATE LIV.

The Temple of Minerva Parthenon at Athens.
(Sixth west view.)

An engraving showing the Temple of Minerva Parthenon at Athens in its current state of ruin. The temple is a Doric structure with a partially intact pediment and a row of columns. The roof is broken, and the ground is uneven with scattered debris. In the foreground, a few figures are seen near a horse, and a small building is visible to the right. The background shows a hazy landscape with mountains under a cloudy sky.

In its present state.

An engraving showing the Temple of Minerva Parthenon at Athens in its restored state. The temple is now complete, with a full pediment featuring a detailed frieze of figures. The columns are intact, and the building stands on a solid base. The foreground is a flat, open field with a few small figures for scale. The background shows a clear sky and distant mountains.

Restored.

This image shows a blank, aged page with significant water damage and staining. The paper is a light beige or cream color, showing numerous brown and tan spots of varying sizes, which are characteristic of water damage or foxing. There are also larger, more diffuse areas of discoloration, particularly towards the top and bottom edges. The texture of the paper appears slightly rough or fibrous. No text, illustrations, or other markings are visible on the page.

Fig. 1.

Fig. 2.

Fig. 3.

Fig. 4.

Fig. 5.

Fig. 6.

Fig. 7.

Fig. 8.

Fig. 9.

Fig. 10.

Fig. 11.

Fig. 12.

Fig. 13.

Fig. 14.

Fig. 15.

Fig. 16.

This image shows a single, blank page of aged paper. The paper has a warm, yellowish-beige tone, characteristic of old documents. It is heavily marked by numerous brown and tan stains of varying sizes and shapes, which are likely water damage or foxing. These stains are most prominent in the upper half and along the left side of the page, with some smaller spots scattered throughout. The right edge of the page shows a slight vertical line, possibly from the binding or a fold. There is no text, handwriting, or printed content on the page.

Plan, Section and Elevations of the Temple of Aphrodite Menna in Upper Egypt.

Fig. 1.

Elevation of Propylaea.

Fig. 6.

Angle terms & lotus corinthian to Propylaea
at an enlarged scale.

Fig. 5.

Part of Elevation of Pronaos
at an enlarged scale.

Fig. 2.

Elevation of Pronaos
(Section on the line B.B. of Plan.)

Fig. 7.

Cornice of Dade

Profile of enriched Cornice

Fig. 3.

Longitudinal Section on the line A.A. of Plan.

Fig. 4.

Plan

A blank, aged page with numerous brown stains and discoloration, particularly concentrated along the left edge and bottom.

This image shows a single, blank page of aged paper. The paper has a warm, yellowish-beige tone. It is heavily marked with numerous brown and tan stains, which are characteristic of foxing or water damage over time. These stains are most prominent along the left edge and the bottom of the page, appearing as irregular blotches and small spots. The right edge of the page is slightly darker and shows a vertical line, possibly from the binding or a fold. There is no text, handwriting, or printed content on the page.

Plan of a temple of the order of the Doric, with the elevation of the front and the section.

Architectural drawing of a Doric temple elevation.

This is a detailed architectural elevation of a Doric temple. The structure features a prominent portico with six columns on the left side, which are flanked by smaller columns. The roof is a simple pediment supported by the columns. The entire building is shown in a perspective view, highlighting its depth and architectural details.

Architectural drawings of a Doric temple, including sections and details.

This block contains several architectural details and sections of the temple. On the left, there is a section labeled 'Fig. 1' showing the internal structure of the portico. Below it is a detail of a column capital labeled 'Fig. 4'. In the center is a plan view of the temple. To the right is a section labeled 'Fig. 2' showing the roof structure. Below that is a detail of a wall section labeled 'Fig. 3'. At the bottom right is a detail of a dome or vault labeled 'Fig. 5'. On the far right, there is a vertical section labeled 'Fig. 6' showing the side profile of the temple.

This is a plan view of the Doric temple, showing the layout of the building. The temple is rectangular and surrounded by a portico with columns. The plan is marked with a grid of dots, likely representing the positions of the columns. The central area of the temple is clearly defined by thick lines.

Plan of a temple of the order of the Doric, with the elevation of the front and the section.

A blank, aged page with numerous brown and yellow stains, likely water damage or foxing. The page is slightly yellowed and shows signs of wear. A faint vertical line is visible on the right edge.

This image shows a single, blank page of aged paper. The paper has a warm, yellowish-beige tone, characteristic of old documents. It is heavily marked with numerous small, irregular brown and yellow spots, which are likely foxing or water stains. These stains are scattered across the entire surface, with some appearing in clusters. On the far right edge, there is a faint vertical line, possibly from a binding or a scanning artifact. The overall texture of the paper appears slightly grainy and uneven.

Plank & Sectional Elevation of a Greek Doric Peripteral & Hyposthral Temple.
(Section on the Second Line of Plan below.)

Fig. 1.

Sectional Elevation of the Pronaos of a Greek Doric Octastyle Temple.

Fig. 2.

Fig. 5.

Fig. 8.

Fig. 4.

Fig. 6.

Fig. 7a.

Fig. 9.

Fig. 10.

Fig. 11.

Fig. 12.

Fig. 3.

Plan of a Greek Octastyle Peripteral & Hyposthral Temple.

A blank, aged page with a light beige background, showing numerous small brown spots and stains, particularly concentrated in the upper left and lower left areas.

This image shows a blank, aged page with a light beige or cream-colored background. The surface is covered with numerous small, irregular brown spots and stains, which are characteristic of foxing or water damage on old paper. These spots are most prominent in the upper left and lower left areas, with some scattered throughout the rest of the page. The overall texture appears slightly grainy, and the lighting is even across the surface.

Fig. 1.
Front Elevation of a Greek Doric Hexastyle-peripteral Temple.

Front elevation of a Greek Doric Hexastyle-peripteral Temple, showing six columns and a pediment.

Fig. 2.
Sectional Elevation of the Front of a Hexastyle-peripteral Temple.

Sectional elevation of the front of a Hexastyle-peripteral Temple, showing the internal structure and columns.

Fig. 3. Architectural detail showing a frieze with two figures and a column capital.

Fig. 4. Architectural detail showing a wall section with a cornice and a column capital.

Fig. 5. Architectural detail showing a base and a column capital.

Fig. 6. Architectural detail showing a base and a column capital.

Fig. 7. Architectural detail showing an archway or doorway.

Fig. 8. Architectural detail showing a base and a column capital.

Fig. 9. Architectural detail showing a base and a column capital.

Fig. 10. Architectural detail showing a wall section with a grid pattern.

Fig. 11. Architectural detail showing a wall section with a grid pattern.

Fig. 12. Architectural plan of a Greek temple, showing the arrangement of columns and the central cella.

Plan of a Greek Hexastyle-peripteral Cellular Temple.

Fig. 8.

Fig. 12.

This image shows a single, blank page of aged paper. The paper is off-white or light beige, showing signs of significant aging and water damage. There are numerous brown and tan stains, particularly concentrated in the upper left quadrant and along the bottom edge. The stains vary in size and intensity, with some appearing as small spots and others as larger, irregular patches. The texture of the paper appears slightly rough or fibrous. There is no text, handwriting, or printed content on the page.

Fig. 1.
Front Elevation of a Greek Doric Hexastyle-peripteral Temple.

Fig. 2.
Sectional Elevation of the Porch of a Hexastyle-peripteral Temple.

Fig. 3.

Fig. 9: Detail of a temple's entablature. It shows a large, dark rectangular block, likely representing a metope or a section of the frieze, resting on a base.

Fig. 10.

Fig. 9.

Fig. 4.

Fig. 6.

Fig. 7.

Fig. 11.

Fig. 12.

Fig. 13.

Fig. 5.

Fig. 8.

Fig. 14.

Plan of a Greek Hexastyle-peripteral & Caledstral Temple.

A blank, aged page with a light beige background, showing significant water damage and staining, particularly along the left edge and top.

This image shows a blank, aged page with a light beige background. The paper is heavily stained with numerous brown spots and smudges, particularly concentrated along the left edge and top. There are also some faint, larger stains in the center and bottom. The overall texture appears slightly grainy, and the lighting is uneven, with the left side being darker than the right.

Architectural details of a building's exterior, including a frieze and a cornice.

Fig. 1

Fig. 2

Fig. 3

Perspective view of a small temple with a pediment and six columns.

Fig. 1

House of a Greek temple

Plan view of a circular building with concentric circles and a central cross.

Fig. 4

Perspective view of a small temple with a pediment and four columns.

Fig. 2

House of a Greek temple with Corinthian columns

Detailed drawing of a Corinthian column capital and base.

Fig. 5

Detailed drawing of a decorative frieze with floral motifs.

Fig. 6

Fig. 7

Perspective view of a long, low building with a pediment and two columns.

Fig. 3

House of a Greek temple with Corinthian columns

Fig. 8

Detailed drawing of a circular architectural element, possibly a window or door frame.

Fig. 9

Fig. 10

Plan view of a rectangular building with a central cross and decorative elements.

Fig. 11

Fig. 12

Fig. 13

Plan of a Greek temple with Corinthian columns

A blank, aged page with visible water damage and staining.

This image shows a blank, aged page with significant water damage and staining. The paper is off-white or light beige, showing numerous brown and tan spots of varying sizes, particularly concentrated in the upper half and along the left edge. There are also some faint, larger stains that appear to be water damage. The texture of the paper is visible, and the overall appearance is that of an old, weathered document page.

Architectural details of a Greek Ionic temple.

Fig. 6. Fig. 7. Fig. 8.

This block contains three detailed drawings of architectural elements. Fig. 6 shows a close-up of the top of a column capital with its volutes and the beginning of the entablature. Fig. 7 shows a profile view of a decorative molding. Fig. 8 shows another profile view of a molding, possibly a different part of the entablature or a baseboard.

Fig. 1.
Elevation of a Greek Ionic Hexastyle temple.

This is a full-front elevation of a small Greek Ionic temple. It features a triangular pediment supported by six columns in a hexastyle arrangement. The columns are fluted and topped with Ionic capitals.

Fig. 9.

This block contains two diagrams. Fig. 9 is a large circular diagram with concentric circles and a central cross-like symbol, likely representing a plan or a geometric construction. To its right is a smaller square diagram showing a four-pointed star or a similar geometric pattern.

Fig. 2.
Elevation of a Greek Ionic attached Tetrastyle in antis temple.

This is a full-front elevation of a Greek Ionic temple. It has a triangular pediment supported by four columns in a tetrastyle in antis arrangement. The columns are fluted and topped with Ionic capitals.

Fig. 10. Fig. 11.

This block contains two drawings. Fig. 10 shows a close-up of a decorative frieze or a similar architectural element with a repeating pattern of acanthus leaves. Fig. 11 shows a profile view of a decorative molding.

Fig. 12. Fig. 13. Fig. 14.

This block contains three drawings. Fig. 12 shows a profile view of a decorative molding. Fig. 13 shows a profile view of a baseboard. Fig. 14 shows a profile view of a column capital.

Fig. 3.
Flank of a Greek Ionic Doric Temple.

This is a side elevation of a Greek Ionic Doric temple. It shows a long, rectangular building with a flat roof and a row of columns along the side. The columns are fluted and topped with Doric capitals.

Architectural detail of a Greek Ionic temple.

Fig. 15.

This is a detail of a Greek Ionic temple, showing a close-up of a decorative element, possibly a baseboard or a molding, with a repeating pattern of acanthus leaves.

Fig. 4.
Plan of a Greek Hexastyle temple.

This is a plan view of a Greek Hexastyle temple. It shows a rectangular building with a central entrance and a row of columns along the side. The plan is divided into several sections, including the porch and the main body of the temple.

Fig. 16.

This is a detail of a Greek Ionic temple, showing a close-up of a decorative element, possibly a baseboard or a molding, with a repeating pattern of acanthus leaves.

A blank, aged page with a light beige background, showing faint, illegible markings and a small rectangular stamp-like impression near the bottom center.

This image shows a blank, aged page with a light beige or cream-colored background. The paper has a slightly textured appearance with some minor discoloration and faint, illegible markings scattered across the surface. Near the bottom center, there is a faint, rectangular stamp-like impression that appears to be a grid or a set of small, indistinct characters. The overall appearance is that of an old, unused page from a book or document.

Design Monument Arch Corinthian.

Fig. 3

A tall, slender monument structure with a square base, a square shaft, and a decorative top featuring a cross-like finial.

Monument Arch Corinthian.

A circular plan view of the monument, showing a square base with a circular opening in the center.

Plan of Monument.

A detailed section of the monument's base, showing a series of small columns and a decorative frieze.

Section of Monument.

Fig. 4

A blank, aged, cream-colored page with visible water damage and staining.

This image shows a single, blank page of aged paper. The paper has a warm, cream-colored tone and a slightly textured surface. It is heavily marked by water damage, including numerous small, irregular brown spots (foxing) and larger, more diffuse stains, particularly along the left edge and in the upper half. There are also some faint, darker smudges and a small, dark speck near the bottom center. The overall appearance is that of an old, weathered document page.

Gothic Monument over Tombs.

Fig. 1.

Plan of Gothic Monument.

Fig. 2.

Fig. 3.

Portico of Caryatides.

Fig. 3.

Plan of Portico.

Fig. 4. A plan view of the portico, showing a rectangular footprint with a central rectangular chamber. The chamber is divided into six sections by five columns, corresponding to the six Caryatids shown in the perspective view.

Fig. 5.

Fig. 6. A drawing of a female head and shoulders, likely a personification of a virtue or a deity. She has long, flowing hair and is wearing a draped garment. The head is supported by a decorative, curved architectural element.

Fig. 7. A drawing of a decorative architectural element, possibly a frieze or a base. It features a central panel with two hands holding a small object, flanked by vertical lines. Below this panel is a decorative frieze with a repeating pattern of small circles.

A blank, aged page with a light beige background, showing faint vertical lines and a central circular mark, suggesting a page from a book or document.

This image shows a blank, aged page with a light beige or cream-colored background. There are several small, dark brown spots scattered across the surface, which appear to be foxing or minor stains. A faint, vertical line or indentation is visible near the center of the page, possibly from a binding or a fold. In the lower-middle section, there is a faint, circular mark or hole, which could be a watermark or a physical hole in the paper. The overall texture of the paper looks slightly grainy and uneven, characteristic of old paper stock.

ARCHITECTURE

PLATE 100

GENERAL

BOULBES

ROCKS

Architectural plate showing various decorative patterns and motifs, including floral designs, geometric shapes, and a central figure of a lion.

This architectural plate, labeled 'PLATE 100', presents a collection of decorative motifs and patterns. The page is organized into three vertical columns under the headings 'GENERAL', 'BOULBES', and 'ROCKS'. The 'GENERAL' column on the left contains several horizontal bands of repeating patterns, including floral designs, interlaced lines, and geometric shapes. The 'BOULBES' column in the center features a central circular motif and various smaller decorative elements. The 'ROCKS' column on the right displays a variety of patterns, including repeating floral and geometric designs. A large, detailed illustration of a lion is positioned at the bottom of the page, flanked by decorative elements. The entire plate is rendered in a light, monochromatic style, typical of architectural reference materials.

OF THE

A faint, sepia-toned map or diagram showing a geographical or architectural layout. The map features a central circular element, possibly a sun or a monument, surrounded by various lines and shapes representing terrain, water, or structures. Faint text labels are visible throughout the map, including 'THE HISTORY OF THE' at the top center and 'PLATE I' at the top left. The overall style is that of an old, faded historical document.

ARCHITECTURE.

PLATE LXI.

Grecian.

MOULDINGS.

Roman

Grecian architectural moulding: a continuous band of acanthus leaves and scrolls.

Fillet

Grecian architectural moulding: a simple cyma recta.

Roman architectural moulding: a simple cyma recta.

Grecian architectural moulding: a simple cyma reversa.

Cyma recta

Roman architectural moulding: a cyma reversa with a repeating pattern of acanthus leaves.

Cavetto

Ovule

Bead

Sesto

Termus

ORNAMENT

Grecian.

Roman.

Examples of the Roman Corinthian

Architectural drawing of a Roman Corinthian column capital and base.

Fig. 1

Fig. 2

Fig. 3

This figure shows a detailed architectural drawing of a Roman Corinthian column capital and its base. The capital is highly ornate, featuring acanthus leaves and scrolls. The base is composed of several tiers, including a prominent balustrade-like band. The drawing is labeled 'Fig. 1' and 'Fig. 2'.

Fig. 1

Fig. 2

Fig. 1

Fig. 2

This image shows a single, blank page of aged paper. The paper has a yellowish-beige tint and is heavily marked with numerous brown and tan stains, likely from water damage or foxing. The stains are most prominent in the center and along the right edge, with some smaller spots scattered across the surface. There is no text, handwriting, or printed content on the page.

ARCHITECTURE.

PLATE LXII.

Examples of the Roman Corinthian.

Architectural drawings of Roman Corinthian columns and capitals, labeled Ex. 1, Fig. 1, Ex. 3, Fig. 1.

This section contains architectural drawings of Roman Corinthian columns and capitals. It includes a large capital with a detailed acanthus leaf design (Ex. 1, Fig. 1), a smaller capital with a similar design (Ex. 3, Fig. 1), and a capital featuring a winged figure holding a cup (Ex. 3, Fig. 1). The drawings show the intricate carvings and the fluted shafts of the columns.

Architectural drawings of Roman Corinthian columns and capitals, labeled Ex. 2, Fig. 2, Ex. 4, Fig. 2.

This section contains architectural drawings of Roman Corinthian columns and capitals. It features two large, detailed columns with capitals (Ex. 2, Fig. 2) and two smaller columns with capitals (Ex. 4, Fig. 2). The capitals are decorated with acanthus leaves and scrolls. The columns are fluted and have a prominent base.

Architectural drawings of Roman Corinthian columns and capitals, labeled Ex. 2, Fig. 1, Ex. 4, Fig. 1.

This section contains architectural drawings of Roman Corinthian columns and capitals. It includes a capital with a central floral motif (Ex. 2, Fig. 1), a capital with a central floral motif and scrolls (Ex. 4, Fig. 1), and a capital with a central floral motif and scrolls (Ex. 4, Fig. 1). The drawings show the intricate carvings and the fluted shafts of the columns.

A blank, aged page with a light beige background, showing significant water damage and staining, particularly a large vertical stain in the center.

This image shows a blank, aged page with a light beige background. The paper is heavily stained, particularly with a large, vertical, brownish stain running down the center. There are also smaller, scattered brown spots and smudges throughout the page, suggesting water damage or age-related discoloration. The texture of the paper appears slightly rough and uneven.

Architectural plate showing various Roman orders and their details.

This architectural plate, labeled 'PLATE LXII.' and 'ARCHITECTURE.', illustrates various examples of Roman orders. The central figure, labeled 'Fig. 2', depicts a pair of fluted columns with ornate capitals and bases, topped by a large, decorated entablature. To the left, a column with a Corinthian capital and a base featuring a relief of a figure holding a branch is shown, labeled 'Fig. 1'. To the right, a column with a more complex capital and a base with vertical fluting is shown, labeled 'Fig. 3'. Below these, smaller details of capitals and bases are provided, labeled 'Fig. 4' and 'Fig. 5'. The plate is a detailed technical drawing, likely from a 19th-century architectural treatise.

Examples of the Roman Orders

Printed by J. V. ... 1824

A blank, aged page with a light beige background, showing faint vertical lines and a central vertical stain.

This image shows a blank, aged page with a light beige background. There are faint vertical lines and a central vertical stain, possibly from a binding or a previous page. The page appears to be a flyleaf or a separator page in a book.

Architectural plate showing various examples of Roman orders, including Corinthian, Ionic, and Composite capitals and columns.

This architectural plate displays eight distinct examples of Roman orders, arranged in four pairs. Each pair consists of a detailed drawing of a column capital and a corresponding column shaft. The columns are shown with varying degrees of detail, including fluting, bases, and decorative moldings. The capitals are highly ornate, featuring acanthus leaves, scrolls, and other classical motifs. The plate is labeled with 'Ex.' for examples and 'Fig.' for figures.

Ex. 1. Fig. 1. (Top left): A Corinthian capital with a large acanthus leaf motif, resting on a column with a base and several moldings.

Ex. 2. Fig. 2. (Top center): Two Ionic columns with fluted shafts and capitals featuring volutes, resting on bases with decorative moldings.

Ex. 3. Fig. 1. (Bottom left): A Composite capital with a central figure and scrolling acanthus leaves, resting on a column with a base and several moldings.

Ex. 4. Fig. 1. (Bottom right): A simple Ionic capital with a volute, resting on a column with a base and several moldings.

Examples of the Roman Orders

A blank, aged page with a light beige background, showing faint, illegible markings and a vertical line down the center.

This image shows a blank, aged page with a light beige or cream-colored background. There are several faint, illegible markings and smudges scattered across the surface, particularly in the upper and middle sections. A prominent vertical line or stain runs down the center of the page. The overall texture appears slightly grainy, characteristic of old paper. No text or clear illustrations are visible.

Fig. 1.

Fig. 2.

Fig. 3.

Fig. 4.

Fig. 5.

Fig. 6.

Fig. 7.

Fig. 8.

Fig. 9.

Fig. 10.

Fig. 11.

Fig. 12.

A blank, aged page with a light beige background, showing faint, illegible markings and a vertical line near the right edge.

This image shows a blank, aged page with a light beige or cream-colored background. The paper has a slightly textured appearance with some minor discoloration and faint, illegible markings scattered across the surface. A faint vertical line is visible near the right edge, possibly indicating a binding or a margin. There are no clear text or illustrations on the page.

Fig. 1: A detailed architectural floor plan of a Roman house. It shows a large rectangular atrium at the top, followed by a tablinus, a peristyle garden, and a series of rooms including a triclinium, a cubiculum, and a kitchen area. The plan is oriented with the long axis of the house running vertically.

Plan of a Roman House, and the house which is now the church of Saint Stephen.

Fig. 2

View of the Forum in the Museum (Fig. 2) (See the present state.)

Fig. 3

Detail of the wall, representing the side of the room in the garden.

Fig. 4: A floor plan of a Roman house, similar in style to Fig. 1 but with a different layout. It shows a rectangular footprint with various rooms and a central courtyard area. The plan is oriented with the long axis running horizontally.

Plan of a Roman House in a private street.

Fig. 5: A perspective drawing of the exterior of the Roman Museum. It shows a long, low building with a series of columns along its front facade and a flat roof.

Exterior of the Roman Museum (Fig. 5) (See the present state.)

Fig. 6: A perspective drawing of the exterior of the Roman Museum, showing a different section of the building with a prominent portico supported by columns.

Exterior of the Roman Museum (Fig. 6) (See the present state.)

Fig. 7

Exterior of the Roman Museum (Fig. 7) (See the present state.)

Fig. 8

Exterior of the Roman Museum (Fig. 8) (See the present state.)

A blank, aged page with a light beige background, showing faint horizontal lines and a large, faint rectangular outline in the center.

This image shows a blank, aged page with a light beige or cream-colored background. The paper has a slightly textured appearance. There are faint, horizontal lines visible across the page, suggesting it might be a ledger or a page from a book with pre-printed lines. A large, faint rectangular outline is centered on the page, possibly indicating a space for a drawing or a large heading. The overall appearance is that of an old, unused document page.

A detailed architectural floor plan of a Roman mansion (domus) from Pompeii. The plan is oriented with the main entrance (apse) at the top. It shows a large central atrium (11) with a rectangular impluvium (12) in the center. Surrounding the atrium are various rooms, including a tablinus (13), a peristyle garden (14), and numerous smaller rooms (tablini, cubiculi, triclinia) numbered 15 through 35. The plan is enclosed by a thick wall (36) with a series of windows (37) and a garden (38) at the bottom. The entire structure is surrounded by a street (39) with a row of houses (40) on the left and a wall (41) at the top.

Plan of a Roman Mansion, with the house, apse & streets, surrounding it.
From Pompeii.

Fig. 2.

A cross-sectional view of the mansion along line a-a. It shows the internal structure of the rooms, the roof, and the garden (40) at the bottom. The street (39) is visible on the left side.

Section of the above Mansion (Fig. 1) on the line a.a.

Entrance Elevation to the street of the above Mansion (Fig. 1).

An elevation view of the main entrance to the mansion, showing a portico with a triangular pediment supported by columns. This is the entrance to the street (39).

Fig. 3.

Entrance Elevation to the street of the above Mansion (Fig. 1)

Scale of 10 20 30 40 50 60 70 80 90 100 feet

Fig. 4.

A perspective sketch of the ruins of the mansion's entrance. It shows the remaining stone walls and the bases of the columns, set against a background of trees and a clear sky.

Sketch of the Entrance to the Mansion (Fig. 1, 2 & 3) in its present state.

Fig. 5.

A detailed drawing of a wall panel from a room in Pompeii. It features two large rectangular panels with painted murals, separated by a central column with a capital. Below the panels is a decorative frieze with floral and scrollwork motifs.

Specimen of the mode of ornamenting the sides of rooms in Pompeii.

A floor plan of a smaller Roman mansion located in a private street. The layout is more compact than the larger mansion in Fig. 1, with a central room and surrounding smaller rooms. The street (40) is shown at the bottom.

Plan of a Roman Mansion in a private street.
From Pompeii.

Fig. 7.

A cross-sectional view of the smaller mansion along line b-b. It shows the internal room structure and the street (40) at the bottom.

Section of the above Mansion (Fig. 6)
on the line b.b.

Fig. 8.

An elevation view of the street-facing side of the smaller mansion, showing a simple wall with a central doorway.

Elevation to the street of the above Mansion (Fig. 6)

A blank, aged, cream-colored page, likely an endpaper or flyleaf of a book. The page shows signs of wear, including faint smudges and a small brown spot near the center. Faint, illegible markings are visible in the upper right corner, possibly from a previous page or a watermark.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and a small, faint brown spot near the center. In the upper right corner, there are very faint, illegible markings that appear to be bleed-through from the reverse side of the page or a watermark. The overall tone is warm and yellowish, characteristic of old paper.

Architectural drawing of columns and capitals with various labels.

This architectural plate, labeled 'PLATE CXXXI' and 'ARCHITECTURE', illustrates various classical column orders and their capitals. The drawing is oriented with the columns' bases at the bottom and capitals at the top. On the left side, a large column is shown with labels 'Column' and 'Capital'. Below it, a smaller column is labeled 'Column' and 'Capital'. The top of the page features a detailed drawing of a capital with labels 'Column' and 'Capital'. The right side of the plate shows four columns of different orders, each with a label: 'Column', 'Column', 'Column', and 'Column'. The drawing is executed in a fine-lined style and shows signs of age with some staining.

A blank, aged, cream-colored page with numerous brown stains and a vertical crease.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper is heavily marked with numerous brown, irregular stains of varying sizes, characteristic of foxing or water damage. A prominent vertical crease or fold line runs down the right side of the page. The overall texture appears slightly grainy and the color is a warm, off-white or light cream.

Architectural plate showing the Italo-Viruvian Orders with detailed drawings of columns and entablatures.

This plate illustrates the Italo-Viruvian Orders, featuring a large column and six smaller ones, each with its specific proportions and architectural details.

Left Column (Fig. 1): A large column with the following parts labeled:

Entablature: Includes Architrave, Abacus, Volute or Canaliculus, Corona, Medullione, Dentils, and Perpetual.
Capital: Labeled Abacus, Volute or Canaliculus, Volute, and Hypotrachelium.
Shaft: The main body of the column.
Apexyge: The top of the shaft.
Plinth: The base of the column.
Stylobate: The base of the entire column.

The Italo-Viruvian Orders (Figures 2-6):

Fig. 2: 1 1/2 diameters high, 1 diameter wide.
Fig. 3: 1 1/2 diameters high, 8 diameters wide.
Fig. 4: 1 1/2 diameters high, 9 diameters wide.
Fig. 5: 1 1/2 diameters high, 9 1/2 diameters wide.
Fig. 6: 1 diameter high, 10 diameters wide.

Each figure shows a column with its entablature and capital, with the shaft height and total width indicated below.

A blank, aged, cream-colored page, likely an endpaper or flyleaf of a book. The page shows signs of wear, including faint smudges and discoloration, particularly along the left edge and bottom.

Plate LXVII showing architectural details of arches and doorways, labeled Fig. 1 through Fig. 13.

This plate contains 13 architectural drawings of arches and doorways, labeled Fig. 1 through Fig. 13. The drawings are arranged in three rows. The first row (Figs. 1-5) shows various arches with different decorative treatments, including brickwork and stone masonry. The second row (Figs. 6-9) shows doorways with triangular pediments and decorative capitals. The third row (Figs. 10-13) shows more complex arches, including those with multiple openings and intricate brickwork patterns. Each drawing is accompanied by a small decorative base at the bottom.

A blank, aged page with a light beige background, showing faint horizontal lines and a series of small, light brown stains near the bottom edge.

This image shows a blank, aged page with a light beige background. There are faint horizontal lines visible across the page, possibly from a previous page or a watermark. Near the bottom edge, there is a series of small, light brown stains or foxing marks. The page appears to be part of a book or document, with a slightly textured surface.

Fig. 3.

Fig. 2.

Fig. 4.

Fig. 5.

Fig. 1.

Fig. 2: Architectural detail of a classical door frame with a triangular pediment and decorative columns.

Fig. 3: Architectural detail of a classical door frame with a triangular pediment, a balcony with a balustrade, and a decorative base.

Fig. 4: Architectural detail of a classical door frame with a triangular pediment and decorative columns.

Fig. 5: Architectural detail of a wall with a semi-circular archway and radiating stone blocks.

Fig. 7.

Fig. 8.

Fig. 6.

Fig. 9.

Fig. 7: Architectural detail of a classical archway with a triangular pediment and decorative columns.

Fig. 8: Architectural detail of a classical archway with a triangular pediment and decorative columns.

Fig. 9: Architectural detail of a classical door frame with a triangular pediment and decorative columns.

Fig. 10.

Fig. 11.

Fig. 12.

Fig. 13.

Fig. 10: Architectural detail of a wall with a semi-circular archway and radiating stone blocks.

Fig. 11: Architectural detail of a classical archway with a triangular pediment and decorative columns.

Fig. 12: Architectural detail of a classical archway with a triangular pediment and decorative columns.

Fig. 13: Architectural detail of a wall with a semi-circular archway and radiating stone blocks.

ST. PETER
WITH THREE ELEVATIONS

A detailed architectural drawing of the front elevation of St. Peter's Basilica in Rome. The drawing shows the central portico with its massive columns and the two prominent, ornate towers flanking the entrance. The towers feature circular windows and intricate carvings. The central part of the facade is topped with a triangular pediment.

OF ST. PETER

A detailed architectural drawing of the side elevation of St. Peter's Basilica. This view shows the long facade of the church, featuring a series of columns and a central portico. The drawing captures the architectural details of the side of the building, including the windows and the decorative elements along the roofline.

A blank, aged, cream-colored page with a folded top-left corner and faint, illegible markings.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint, illegible markings that appear to be bleed-through from the reverse side. The top-left corner of the page is folded over, revealing a darker, possibly brownish, material underneath. There are no visible characters, words, or illustrations on the page itself.

ST. PAUL'S.

west front elevation.

A detailed architectural engraving of the west front of St. Paul's Cathedral in London. The facade is symmetrical, featuring a central portico with a triangular pediment supported by a row of columns. Above the pediment is a statue of St. Paul. Flanking the central portico are two massive, ornate towers. Each tower has a circular window on its lower section and is topped with a spire. The entire structure is highly decorated with statues and intricate carvings.

SCALE.

0 10 20 30 40 50 60 70 80 90 100 Feet.

ST. PETERS.

An architectural engraving of the east front of St. Peter's Basilica in Rome. The facade is characterized by a series of arched openings and a central portico with a triangular pediment. The pediment is topped with a statue of St. Peter. Above the main facade, a row of statues is visible. The building is highly ornate, with many statues and decorative elements.

east front elevation.

A detailed architectural drawing of the Cathedral of St. John in the Lateran in Rome. The drawing shows the front elevation of the building, featuring a large central dome topped with a spire. To the left of the dome is a smaller tower. The facade is composed of multiple levels of windows and architectural details, including a prominent portico with columns at the base.

OF ST. JOHN
IN THE LATERAN, ROME.

A detailed architectural drawing of the Cathedral of St. Paul Outside the Walls in Rome. The drawing shows the front elevation of the building, featuring a large central dome topped with a spire. The facade is composed of multiple levels of windows and architectural details, including a prominent portico with columns at the base.

OF ST. PAUL
OUTSIDE THE WALLS, ROME.

A blank, aged page with a light beige background, showing significant water damage and discoloration, particularly along the right edge and bottom.

This image shows a blank, aged page with a light beige background. The paper exhibits significant water damage and discoloration, particularly along the right edge and bottom. There are large, irregular brownish stains and mottling across the surface, suggesting moisture exposure. The texture of the paper appears slightly rough and uneven due to the aging process.

Architectural drawing of the South Flank Elevation of St. Paul's Cathedral in London. The drawing shows a long, ornate facade with multiple levels of windows and decorative elements. A prominent dome sits atop the central part of the building, and a tall, slender spire rises from the left side. The style is characteristic of the Baroque or Neoclassical periods.

ST. PAUL'S
(South Flank Elevation.)

Architectural drawing of the North Flank Elevation of St. Peter's Basilica in Rome. The drawing shows a long, grand facade with a series of columns and a large, ribbed dome. A smaller dome is visible to the left of the main one. The facade is highly detailed with various architectural orders and decorative carvings.

ST. PETER'S
(North Flank Elevation.)

SCALE

0 50 100 200 300 400 500 600 700 800 900 1000 Feet

Faint architectural drawing of a classical building with a pediment and columns.

A faint, light-colored architectural drawing of a classical building, possibly a temple or a public structure. The building features a prominent pediment supported by several columns. The drawing is very light and appears to be a watermark or a faded illustration on the page.

A second, faint architectural drawing of a classical building, similar in style to the first. It shows a building with a pediment and columns, possibly a different view or a different structure. The drawing is very light and appears to be a watermark or a faded illustration on the page.

A third, faint architectural drawing of a classical building, similar in style to the others. It shows a building with a pediment and columns, possibly a different view or a different structure. The drawing is very light and appears to be a watermark or a faded illustration on the page.

Fig. 3.

Scale of feet.

VILLA CAPRA
near Vicenza.

Fig. 2.

Scale of feet.

VILLA GIULIA
near Rome.

Fig. 1.

Scale of feet.

FARNESE PALACE—ROME
front elevation.

Faint architectural drawing of a building with a dome and arched windows.

A faint architectural drawing of a building, possibly a church or cathedral, featuring a central dome and arched windows. The drawing is very light and appears to be a watermark or a faded illustration.

Faint architectural drawing of a classical building with columns.

A faint architectural drawing of a classical building, possibly a temple or a public building, featuring a series of columns and a pediment. The drawing is very light and appears to be a watermark or a faded illustration.

Faint architectural drawing of a building with a flat roof and multiple windows.

A faint architectural drawing of a building, possibly a public building or a large house, featuring a flat roof and multiple windows. The drawing is very light and appears to be a watermark or a faded illustration.

Fig. 1

Arch from the North of St. John's Abbey Church.

Fig. 2

Arch from a Chapel in the
West Tower, Oxford.

Fig. 3

Arch from the Cathedral Church,
Lip.

Fig. 4

Arch from William's Abbey Church, Hert.
for.

Fig. 5

Fig. 6

Fig. 7

Arch from St. John's Church,
Lymington.

Fig. 8

Arch from St. John's Church, Chichester.

Fig. 9

Fig. 10

Fig. 11

Arch from St. John's Church, Bangor.

Fig. 12

Arch from Chester Cathedral.

Fig. 13

Arch from St. John's Church, Oxford.

Fig. 14

Arch from the West of Salisbury Cathedral.

Fig. 1.

Arch from the Nave of St. Alban's Abbey Church.

Fig. 2.

Arches from a Chapel in the White Tower, London.

Fig. 3.

Arches from the Conventual Church, Ely.

Fig. 4.

Arches from Waltham Abbey Church, Herts.

Fig. 5.

Window from Steyning Church, Sussex.

Fig. 6.

Window from Steyning Church, Sussex.

Fig. 7.

Doorway from Illey Church, Oxfordshire.

Fig. 8.

Doorway from Illey Church, Oxfordshire.

Fig. 9.

Window from Pythagoras's School, Cambridge.

Fig. 10.

Windows from Barreston Church, Kent.

Fig. 11.

Arches from Romsey Church, Hampshire.

Fig. 12.

Window from Gloucester Cathedral.

Fig. 13.

Arches from the Nave of Shoreham Church, Sussex.

Fig. 14.

Arches from the Nave of Salisbury Cathedral.

A blank, aged, cream-colored page, likely an endpaper or flyleaf of a book. The page shows signs of wear, including faint smudges and discoloration. A vertical line is visible along the right edge, suggesting the binding.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint smudges, characteristic of old paper. A vertical line is visible along the right edge, indicating the binding or the edge of the page. There is no text or other markings on the page.

Fig. 2.

Fig. 3.

Fig. 1.

Fig. 4.

Fig. 5.

Fig. 6.

Fig. 7.

Fig. 8.

Fig. 4: A detailed drawing of a Gothic window with a pointed arch and a central quatrefoil.

Fig. 5: A detailed drawing of a Gothic window with a pointed arch and a central quatrefoil.

Fig. 6: A detailed drawing of a Gothic window with a pointed arch and a central quatrefoil.

Fig. 7: A detailed drawing of a Gothic window with a pointed arch and a central quatrefoil.

Fig. 8: A detailed drawing of a tall, narrow Gothic window with a pointed arch and a large, intricate tracery design at the top.

Sectional comparison of the Choir of Lincoln Cathedral.

A detailed architectural drawing of a Gothic choir section. The drawing shows a large, pointed arch at the base, supported by a column with a fluted shaft and a capital. Above the arch is a large window. The upper part of the drawing shows a ribbed vault with a central rib and two side ribs. The interior of the vault is decorated with intricate tracery. The overall style is characteristic of the High Gothic period.

Sectional comparison of the Choir of Lincoln Cathedral.

A detailed architectural drawing of a Gothic choir section, similar to the one on the left but with different internal details. It features a large, pointed arch at the base, supported by a column with a fluted shaft and a capital. Above the arch is a large window. The upper part of the drawing shows a ribbed vault with a central rib and two side ribs. The interior of the vault is decorated with intricate tracery. The overall style is characteristic of the High Gothic period.

Fig. 2

A blank, aged page with a light beige background, showing faint, large, stylized characters (possibly 'M' and 'D') and a small white tear near the top center.

This image shows a blank, aged page with a light beige background. There are faint, large, stylized characters, possibly 'M' and 'D', visible across the page, which appear to be bleed-through from the reverse side. A small, irregular white tear is located near the top center. The page shows signs of wear, including small dark spots and a few larger, faint brownish stains near the bottom edge.

Sectional compartment of the Nave of Lincoln Cathedral.

A detailed architectural drawing of a sectional compartment of the Nave of Lincoln Cathedral. The drawing shows the structural elements of the nave, including the pointed arches, ribbed vaulting, and the triforium level with its decorative tracery. The drawing is in a monochrome, engraved style.

Fig. 1.

Sectional compartment of the Choir of Lincoln Cathedral.

A detailed architectural drawing of a sectional compartment of the Choir of Lincoln Cathedral. The drawing shows the structural elements of the choir, including the pointed arches, ribbed vaulting, and the triforium level with its decorative tracery. The drawing is in a monochrome, engraved style.

Fig. 2.

A decorative circular motif, likely a window or architectural element, featuring a central cross-like shape surrounded by petals.

A blank, aged page with a light beige background, showing faint smudges and a vertical line along the right edge.

This image shows a blank, aged page with a light beige or cream-colored background. The paper has a slightly textured appearance with some faint, irregular smudges and discolorations, particularly towards the bottom and center. A thin, dark vertical line runs along the right edge, likely representing the binding or the edge of the page. There is no text or other content on the page.

Architectural drawing of York Cathedral, showing the front elevation with its intricate Gothic carvings and the west tower.

This is a detailed architectural engraving of the front elevation of York Cathedral. The central feature is the west tower, which is highly decorated with intricate carvings and topped with a pinnacled finial. The main facade is characterized by its pointed Gothic arches, including the large central portal and smaller windows above it. The facade is covered in elaborate tracery and sculptural elements. The drawing is signed 'F. L. COOPER SC' in the bottom left corner.

327

Architectural drawing of Pisa Cathedral, showing the front elevation with its distinctive red-tiled roof and the central portal.

This architectural engraving shows the front elevation of Pisa Cathedral. The most striking feature is its massive, conical red-tiled dome, which is shown in a perspective view. Below the dome is the main facade, featuring a series of pointed arches and a central portal with a large, ornate tympanum. The facade is decorated with numerous small arched windows and intricate carvings. The drawing is signed 'S. M. 28' in the bottom right corner.

YORK CATHEDRAL.
West Front.

PISA CATHEDRAL
West Front.

A blank, aged, cream-colored page, likely an endpaper or flyleaf of a book. The page shows signs of wear, including faint smudges and discoloration. The right edge reveals the binding structure.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint smudges, characteristic of old paper. The right edge of the page shows the binding structure, with a vertical line indicating the gutter or hinge. There is no text or other markings on the page.

Architectural plate showing a central elevation of a Gothic building with a spire and stained glass window, surrounded by various detailed drawings of architectural elements like arches, columns, and decorative carvings, labeled with figures.

This architectural plate, labeled 'PLATE LXII' and 'ARCHITECTURE', features a central elevation of a Gothic building. The building has a prominent central spire, a large pointed-arch window with intricate tracery, and a crenelated tower on the right. Surrounding this central figure are various detailed architectural elements, each labeled with a figure number: Fig. 1 (top left), Fig. 2 (top right), Fig. 3 (middle right), Fig. 4 (bottom right), Fig. 5 (bottom right), Fig. 6 (bottom right), Fig. 7 (bottom right), Fig. 8 (bottom right), Fig. 9 (bottom right), Fig. 10 (bottom right), Fig. 11 (bottom right), Fig. 12 (bottom right), Fig. 13 (bottom right), Fig. 14 (bottom right), Fig. 15 (bottom right), Fig. 16 (bottom right), Fig. 17 (bottom right), Fig. 18 (bottom right), Fig. 19 (bottom right), Fig. 20 (bottom right), Fig. 21 (bottom right), Fig. 22 (bottom right), Fig. 23 (bottom right), Fig. 24 (bottom right), Fig. 25 (bottom right), Fig. 26 (bottom right), Fig. 27 (bottom right), Fig. 28 (bottom right), Fig. 29 (bottom right), Fig. 30 (bottom right), Fig. 31 (bottom right), Fig. 32 (bottom right), Fig. 33 (bottom right), Fig. 34 (bottom right), Fig. 35 (bottom right), Fig. 36 (bottom right), Fig. 37 (bottom right), Fig. 38 (bottom right), Fig. 39 (bottom right), Fig. 40 (bottom right), Fig. 41 (bottom right), Fig. 42 (bottom right), Fig. 43 (bottom right), Fig. 44 (bottom right), Fig. 45 (bottom right), Fig. 46 (bottom right), Fig. 47 (bottom right), Fig. 48 (bottom right), Fig. 49 (bottom right), Fig. 50 (bottom right), Fig. 51 (bottom right), Fig. 52 (bottom right), Fig. 53 (bottom right), Fig. 54 (bottom right), Fig. 55 (bottom right), Fig. 56 (bottom right), Fig. 57 (bottom right), Fig. 58 (bottom right), Fig. 59 (bottom right), Fig. 60 (bottom right), Fig. 61 (bottom right), Fig. 62 (bottom right), Fig. 63 (bottom right), Fig. 64 (bottom right), Fig. 65 (bottom right), Fig. 66 (bottom right), Fig. 67 (bottom right), Fig. 68 (bottom right), Fig. 69 (bottom right), Fig. 70 (bottom right), Fig. 71 (bottom right), Fig. 72 (bottom right), Fig. 73 (bottom right), Fig. 74 (bottom right), Fig. 75 (bottom right), Fig. 76 (bottom right), Fig. 77 (bottom right), Fig. 78 (bottom right), Fig. 79 (bottom right), Fig. 80 (bottom right), Fig. 81 (bottom right), Fig. 82 (bottom right), Fig. 83 (bottom right), Fig. 84 (bottom right), Fig. 85 (bottom right), Fig. 86 (bottom right), Fig. 87 (bottom right), Fig. 88 (bottom right), Fig. 89 (bottom right), Fig. 90 (bottom right), Fig. 91 (bottom right), Fig. 92 (bottom right), Fig. 93 (bottom right), Fig. 94 (bottom right), Fig. 95 (bottom right), Fig. 96 (bottom right), Fig. 97 (bottom right), Fig. 98 (bottom right), Fig. 99 (bottom right), Fig. 100 (bottom right). The drawings include arches, columns, capitals, and decorative carvings.

Architectural plate showing various views and details of a Gothic building, including a central elevation, a plan, and numerous detailed drawings of architectural elements like arches, windows, and columns.

This architectural plate, labeled 'PLATE LXXV.', presents a comprehensive set of drawings for a Gothic structure. The central feature is a detailed elevation (Fig. 1) of a building with a large central window, a pointed arch entrance, and two symmetrical towers. A scale bar below the elevation indicates measurements in feet, with markings for 10, 20, 30, 40, 50, 60, 70, 80, 90, and 100. To the left of the elevation is a partial elevation (Fig. 3) showing a large pointed arch and a decorative finial. To the right is a detail of an archway (Fig. 4) featuring a circular medallion with a carved scene. Below the elevation is a plan view (Fig. 2) showing the building's footprint and internal layout. Surrounding these are numerous detailed drawings: Fig. 5 shows a decorative frieze; Fig. 6 is a detail of an arch; Fig. 7 is a shield-shaped decorative panel; Fig. 8 is a highly ornate Gothic window or niche; Fig. 9 and Fig. 11 are decorative corbels; Fig. 10 is a column capital; Fig. 12 is another decorative corbel; and Fig. 13 is a decorative element resembling a mask or a stylized face. The drawings are executed in a fine-line engraving style.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint smudges, characteristic of old paper. The right edge of the page shows the binding structure, with a vertical line indicating the gutter or hinge. There is no text or other markings on the page.

Diagram of the Chinese Abacus (Suanpan) showing vertical rods with beads.

CHINESE SUAN-PAN
General View

CHINESE SUAN-PAN

Diagram of the Roman Abacus (Abaco) showing vertical rods with beads.

ROMAN ABACUS
General View

Geometric diagrams showing various shapes and lines.

GEOMETRICAL FIGURES

I CHING

THE GEOMETRICAL FIGURES

Chinese	English	Chinese	English
一	One	十	Ten
二	Two	百	Hundred
三	Three	千	Thousand
四	Four	萬	Myriad
五	Five	億	Billion
六	Six	兆	Trillion
七	Seven	京	Quadrillion
八	Eight	垓	Quintillion
九	Nine	極	Sextillion
十	Ten	世	Septillion

Diagram of the human hand with fingers labeled with letters.

HUMAN HAND
FINGERS

METRIC SYSTEM

SCALE

VARIOUS MANUAL SIGNIFICATIONS

Chinese	English	Chinese	English
甲	A	乙	B
丙	C	丁	D
戊	E	己	F
庚	G	辛	H
壬	I	癸	J
子	A	丑	B
乙	B	寅	C
丙	C	卯	D
丁	D	辰	E
戊	E	巳	F
己	F	午	G
庚	G	未	H
辛	H	申	I
壬	I	酉	J
癸	J	戌	A
甲	A	亥	B

ROMAN ABACUS
First Form

CHINESE ABACUS-PAN

ROMAN ABACUS
Second Form

ALLEGORICAL NUMERALS OF

Diagram showing allegorical numerals represented by geometric shapes: a triangle for 3, a square for 4, a cross for 5, and a hexagon for 6.

CHINESE NUMERALS

Ordinary	Improved
百 100	→ 1100
三百 200	→ 1100
五百 300	→ 1100
五百五 450	→ 1100
八百 500	→ 1100
八百八 600	→ 1100
千 700	→ 1100
千十 800	→ 1100
千二十 900	→ 1100

Diagram of the 'ROTA of TAO-HI' showing the eight trigrams of the I Ching arranged in a circle.

THE ANCIENT CHINESE

Diagram showing ancient Chinese numerals represented by geometric shapes: a triangle for 3, a square for 4, a cross for 5, and a hexagon for 6.

MEXICAN NUMERALS

YEAR 1810.

REDUX MANUAL NOTATION

Diagram of a hand showing Chinese Articulate Notation with fingers representing numbers 1 through 10.

GREER

ROMAN NUMERALS

LAPIDARY

NUMERALS

SAXON NUMERALS

NUMERALS

Mixture of Saxon & Arabic Numerals

Diagram showing Saxon numerals for numbers 1 through 10, including symbols like 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.

PROGRESS of EUROPEAN NUMERALS

VARIATIONS of EUROPEAN NUMERALS

ASIA.

English Miles.

100 200 300 400 500 600

Arctic Circle

Longitude East 60 from Greenwich

A historical nautical chart of the Beering Strait region, showing islands, coastlines, and navigational markings. The chart is heavily aged and stained, with significant water damage along the top and bottom edges. The map includes a grid of latitude and longitude lines, with labels such as 'H. B. H.' on the left margin and 'NEW Caledonia' at the bottom right. The central part of the map is dominated by a large, irregularly shaped landmass, likely representing the island of New Caledonia. The surrounding waters are marked with various symbols and text, including 'Beering Strait' at the top center. The overall appearance is that of an old, weathered document.

ASIA.

English Miles

500 1000 1500 2000 2500 3000

A detailed historical map of Asia showing the Eurasian landmass, surrounding seas, and major geographical features. The map includes the title 'ASIA.' in a box at the top left, a scale bar for English miles, and a coordinate grid. Major regions like 'EUROPE', 'ASIA', and 'INDIA' are labeled. Bodies of water such as the 'ARCTIC OCEAN', 'BLACK SEA', 'CASPIAN SEA', 'MEDITERRANEAN SEA', 'INDIAN SEA', and 'PERSIAN GULF' are clearly marked. The map also shows the 'TERRACE OF CHINA', 'HIMALAYAS', and 'SICCHILY'. Numerous cities, rivers, and mountain ranges are depicted with fine lines and labels. The map is framed by a border with latitude and longitude markings.

A detailed historical map of the Far East region, including Russia, China, Japan, and the surrounding seas. The map features a grid of latitude and longitude lines, with labels for major cities, rivers, and geographical features. The title 'PLATE LXXVI.' is at the top right. The map shows the extent of the Russian Empire, the Qing Dynasty, and the Japanese archipelago, along with the surrounding seas like the Pacific, Bering Sea, and various smaller seas and straits.

This historical map, titled 'PLATE LXXVI.', depicts the Far East region, including Russia, China, Japan, and the surrounding seas. The map is oriented with North at the top and includes a grid of latitude and longitude lines. Key geographical features and locations labeled include:

Russia: Siberia, Kamchatka, Alaska, and various regions of the Russian Empire.
China: Manchuria, Mongolia, and various provinces.
Japan: The main islands of Honshu, Kyushu, and Shikoku, along with the Kuril Islands.
Seas: The Pacific Ocean, Bering Sea, Sea of Japan, and various smaller seas and straits.
Islands: The Philippines, the Caroline Islands, and the New Hebrides (New Guinea).
Other Regions: Sumatra, Celebes (Sulawesi), and the Malay Archipelago.

The map is densely populated with labels for cities, rivers, and geographical features, reflecting the level of detail in 19th-century cartography. The title 'PLATE LXXVI.' is located at the top right corner.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint smudges, particularly along the left edge and top. The right edge shows the binding of the book. There is no text or other markings on the page.

ASSAYING.

PLATE I.

Fig. 1.

A large, multi-tiered industrial furnace or stove with a tall chimney and various access ports.

Fig. 2.

Two long metal rods with circular handles at one end and forked tips at the other, used for stirring or holding materials.

Fig. 3.

A smaller industrial furnace or stove with a funnel-shaped top and a central door.

Fig. 4.

A square-shaped furnace or stove with a central rectangular opening.

Fig. 4.

A rectangular, box-like container with a rounded top, possibly a sample holder or a small furnace.

Fig. 5.

A small, square-shaped container or box with a lid.

Fig. 6.

A flat, rectangular plate or tray with some markings or holes.

Fig. 7.

Fig. 8.

A small, circular object, possibly a sample or a small container.

Fig. 9.

A rectangular grid or mesh structure, possibly a screen or a rack.

Fig. 10.

A circular object, possibly a sample or a small container.

Fig. 11.

Fig. 12.

A tall, narrow industrial furnace or stove with a chimney.

Fig. 13.

Fig. 14.

A tall, narrow industrial furnace or stove with a chimney, mounted on a sturdy metal frame.

Two long metal rods with circular handles at one end, similar to Fig. 2.

Fig. 15.

A pair of long-handled metal tongs or forceps.

This image shows a single, blank page of aged paper. The paper is off-white or light beige, showing signs of significant water damage and staining. There are large, irregular brownish-yellow stains, particularly along the left edge and in the upper right corner, suggesting moisture exposure. The texture of the paper appears slightly rough or fibrous. The right edge of the page shows a slight vertical crease or fold line. The overall appearance is that of an old, weathered document page.

ASSAYING.

PLATE LXXVIII.

Fig. 2.

Fig. 10.

Fig. 12.

Fig. 11.

Fig. 4.

Fig. 6.

Fig. 3.

Fig. 5.

Fig. 7.

Fig. 8.

Fig. 13.

Fig. 17.

Fig. 19.

Fig. 9.

Fig. 14.

Fig. 21.

Fig. 20.

Fig. 23.

Fig. 22.

24 25 26 27

Fig. 24-27: Four small metal components, possibly clips or small tools.

Fig. 28.

Fig. 29.

Fig. 15.

Fig. 18.

Fig. 31.

Fig. 30.

Fig. 16.

This image shows a blank, aged page with significant water damage and staining. The paper is a light cream or off-white color, showing numerous brown and tan spots and stains, particularly concentrated in the upper left and lower left areas. There are also some faint, larger stains that appear to be bleed-through from the reverse side of the page. The right edge of the page shows a slight vertical line, possibly from the binding or a fold. The overall texture of the paper appears slightly rough and uneven due to the age and damage.

Diagram of a circle with a vertical diameter and several points marked on the circumference.

A circular diagram with a vertical diameter line passing through the center. Several points are marked on the circumference, and some internal lines connect these points to the center.

Diagram of a circle with a vertical diameter and several points marked on the circumference, with internal lines connecting them.

A circular diagram with a vertical diameter line. Points are marked on the circumference, and internal lines connect them to the center and to each other.

Diagram showing a vertical line with points and a horizontal line intersecting it, with a curved line below.

A diagram showing a vertical line with points marked on it. A horizontal line intersects this vertical line. Below the intersection, a curved line extends downwards.

A circular diagram with a vertical diameter line. Points are marked on the circumference, and some internal lines connect them to the center.

This image shows a single, blank page of aged paper. The paper has a yellowish-beige tint and is heavily marked by water damage, including large, irregular brown stains and smaller, scattered spots. A faint, thin diagonal line runs from the upper right towards the lower left. The right edge of the page shows a slight vertical crease or binding mark. There is no text or other content on the page.

Fig. 1.

Fig. 2.

Fig. 3.

Fig. 4.

Fig. 5.

Fig. 6.

Fig. 7.

Fig. 8.

Fig. 9.

Fig. 10.

Fig. 11.

Fig. 12.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint smudges, particularly along the left edge and top. The right edge shows the binding of the book. There is no text or other markings on the page.

A diagram showing a curved line segment with a perpendicular line segment attached to it, labeled with letters.

A diagram of a circle with points marked around its circumference and a central point.

A diagram of a circle with a horizontal diameter and a vertical radius, with points labeled on the circumference.

A diagram of a circle with a vertical diameter and a horizontal radius, with points labeled on the circumference.

A diagram of a circle with multiple radial lines from the center to the circumference, with points labeled on the circumference.

A diagram of a circle with a horizontal diameter and a vertical radius, with points labeled on the circumference.

A diagram of a circle with a vertical diameter and a horizontal radius, with points labeled on the circumference.

A diagram of a circle with a horizontal diameter and a vertical radius, with points labeled on the circumference.

A diagram of a circle with four shaded regions in the quadrants, with points labeled on the circumference.

A diagram of a circle with a horizontal diameter and a vertical radius, with points labeled on the circumference.

Fig. 13.

Geometric diagram showing a circular sector with points labeled T, X, Y, Z, and a curved line segment connecting T and Z.

Fig. 14.

Circular diagram with center E and points labeled A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z around the circumference.

Fig. 15.

Diagram of two concentric circles with center C. A horizontal line segment connects points A and B on the outer circle. A vertical line segment connects points D and E on the inner circle. Other points labeled include F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z.

Fig. 16.

Circular diagram with center C and points labeled A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z around the circumference.

Fig. 17.

Fig. 18.

Fig. 19¹.

Fig. 20.

Circular diagram with center B and points labeled A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z around the circumference.

Fig. 21.

Fig. 22.

Geometric diagram showing a semi-circle with points labeled A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z.

Fig. 23.

Diagram showing a circle with center C and four shaded spherical segments at the top, bottom, left, and right. Points labeled include A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z.

Fig. 24.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint smudges, particularly near the top center. The right edge of the page shows the binding of the book, with a vertical line indicating the gutter. There is no text or other markings on the page.

Fig. 27.

Geometric diagram showing a circle with points A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. A line segment connects A and B, and another connects C and D. A third line segment connects E and F. A fourth line segment connects G and H. A fifth line segment connects I and K. A sixth line segment connects L and M. A seventh line segment connects N and O. A eighth line segment connects P and Q. A ninth line segment connects R and S. A tenth line segment connects T and U. A eleventh line segment connects V and W. A twelfth line segment connects X and Y. A thirteenth line segment connects Z and A.

Fig. 28.

A circular diagram showing the Earth's orbit around the Sun. The Sun is at the center, represented by a star symbol. The Earth is shown at various points in its orbit, labeled A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. Each Earth is shown with its own axis and a grid of latitude and longitude lines. The Earth is shaded to show day and night.

Fig. 29.

Fig. 30.

Fig. 29.

A large circular diagram showing the Earth's orbit around the Sun. The Sun is at the center, represented by a star symbol. The Earth is shown at various points in its orbit, labeled A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. Each Earth is shown with its own axis and a grid of latitude and longitude lines. The Earth is shaded to show day and night.

Fig. 31.

Fig. 34.

Fig. 32.

Fig. 30.

A complex circular diagram showing the Earth's orbit around the Sun. The Sun is at the center, represented by a star symbol. The Earth is shown at various points in its orbit, labeled A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. Each Earth is shown with its own axis and a grid of latitude and longitude lines. The Earth is shaded to show day and night.

Fig. 35.

Fig. 33.

Fig. 36.

DECE.

MARCH.

JUNE.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint smudges, particularly along the top edge and left margin. The right edge of the page shows the binding of the book. There is no text or other markings on the page.

A collection of astronomical diagrams and figures, including celestial spheres, orbital models, and lunar phases.

This plate contains several astronomical diagrams and figures, labeled as follows:

Fig. 1: A celestial sphere showing the horizon, celestial equator, and ecliptic.
Fig. 2: A celestial sphere showing the horizon, celestial equator, and ecliptic.
Fig. 3: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 4: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 5: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 6: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 7: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 8: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 9: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 10: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 11: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 12: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 13: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 14: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 15: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 16: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 17: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 18: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 19: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 20: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 21: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 22: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 23: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 24: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 25: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 26: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 27: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 28: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 29: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 30: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 31: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 32: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 33: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 34: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 35: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 36: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 37: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 38: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 39: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 40: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 41: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 42: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 43: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 44: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 45: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 46: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 47: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 48: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 49: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 50: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 51: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 52: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 53: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 54: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 55: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 56: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 57: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 58: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 59: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 60: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 61: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 62: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 63: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 64: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 65: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 66: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 67: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 68: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 69: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 70: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 71: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 72: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 73: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 74: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 75: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 76: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 77: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 78: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 79: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 80: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 81: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 82: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 83: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 84: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 85: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 86: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 87: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 88: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 89: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 90: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 91: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 92: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 93: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 94: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 95: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 96: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 97: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 98: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 99: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.
Fig. 100: A diagram showing a circle with a point and lines extending from it, possibly representing a celestial body's position.

A blank, aged, cream-colored page, likely an endpaper or flyleaf of a book. The page shows signs of wear, including a dark, irregular tear along the top edge and faint, illegible markings near the top center.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint, illegible markings near the top center. A dark, irregular tear or stain is visible along the top edge. The right side of the page shows the binding edge of the book.

Fig. 37.

Fig. 38.

Fig. 39.

Fig. 40.

Fig. 41.

Fig. 42.

Fig. 43.

Fig. 44.

Fig. 45.

Fig. 48.

Fig. 46.

Fig. 49.

A blank, aged, cream-colored page, likely an endpaper or flyleaf of a book. The page shows signs of wear, including small dark spots and discoloration, particularly along the right edge.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and small dark spots, particularly along the right edge, which is characteristic of old paper. There is no text or other markings on the page.

A blank, aged, cream-colored page, likely an endpaper or flyleaf of a book. The page shows signs of wear, including faint smudges and a vertical crease along the left edge.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint smudges. A vertical crease or fold line is visible along the left edge, suggesting it was part of a bound volume. There is no text or other markings on the page.

A blank, aged, cream-colored page, likely an endpaper or flyleaf of a book. The page shows signs of wear, including faint creases and small dark spots.

This image shows a blank, aged, cream-colored page, likely an endpaper or flyleaf from an old book. The paper has a slightly textured appearance with some minor discoloration and faint creases, particularly along the left edge. There are a few small, dark spots scattered across the surface, which are characteristic of old paper. The overall tone is a warm, off-white or light beige.

Embossed circular seal of the Advocatorum Bibliotheca.

An embossed circular seal on a brown leather book cover. The seal features a laurel wreath surrounding a central sunburst emblem. The Latin text "ADVOCATORUM" is arched across the top, and "BIBLIOTHECA" is arched across the bottom. A small monogram is visible at the bottom of the wreath.

Chinese	English	Chinese	English
甲	A	乙	B
丙	C	丁	D
戊	E	己	F
庚	G	辛	H
壬	I	癸	J
子	A	丑	B
乙	B	寅	C
丙	C	卯	D
丁	D	辰	E
戊	E	巳	F
己	F	午	G
庚	G	未	H
辛	H	申	I
壬	I	酉	J
癸	J	戌	A
甲	A	亥	B

Chinese	English	Chinese	English
甲	A	乙	B
丙	C	丁	D
戊	E	己	F
庚	G	辛	H
壬	I	癸	J
子	A	丑	B
乙	B	寅	C
丙	C	卯	D
丁	D	辰	E
戊	E	巳	F
己	F	午	G
庚	G	未	H
辛	H	申	I
壬	I	酉	J
癸	J	戌	A
甲	A	亥	B

Chinese	English	Chinese	English
甲	A	乙	B
丙	C	丁	D
戊	E	己	F
庚	G	辛	H
壬	I	癸	J
子	A	丑	B
乙	B	寅	C
丙	C	卯	D
丁	D	辰	E
戊	E	巳	F
己	F	午	G
庚	G	未	H
辛	H	申	I
壬	I	酉	J
癸	J	戌	A
甲	A	亥	B